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Friday, May 15, 2020

Spring's songs

The air finally feel like the summer is coming. The wind is sweet and fresh while the sun kiss our skin with a pinch of heat. Truly a beautiful time to enjoy the balcony with some musics. So, today, I chose few title to enjoy outside.


''Je r'entre à Montreal'' by Ariane Moffatt, released in 2005. 
She's a really charming signer, finding an effective way to transit emotion like no one. This song in particular have a serenity well mixed with the Irony of the lyrics. Oh, and for those who doesn't speak, the Title said ''I coming back to Montreal'' which is quite ironic with the actual situation. Shout out to all of those Stuck in Montreal because of the Covid-19.

  Je r'entre à Montreal, by Ariane Moffatt.


I Got A woman, by Ray Charles, 1954.
It might look odd for some peoples, but I got a hard time to choose this from his repertory. It was this song or Hit the Road, or What'd I Say, or...

This Guy was Incredibly good and this song is no exception. With this voice, even peoples with no taste like it... ...well, most of peoples like his songs, even if they don't recognize the title. I know there's some exception, but that's not the point.

I Got A woman, by Ray Charles


Babylon Falling, by Dakka Skanks, May 2020.
For a lot of peoples, springs rhymes with ska, and I love it too, so i choose something recent. I actually discover her today. The song is pretty great, she's just push too hard on the high note, except that i really enjoyed it. Most importantly, it give me something new to explore!

Babylon Falling, by Dakka Skanks


Charleston, by Django Reinhardt, 1937.
What would I be without my old old old music, eh? yeah, I chose Reinhardt because every of his song sound full of life. He's an incredible guitarist, and the quartet he in are as good as him. They play what we call Gypsy Jazz, Also Called ''Jazz Manouche'' in France, where this is originated. He was really prolific on his time, so i recommend you to explore what hes repertoire if you liked this song.

  Charleston, by Django Reinhardt

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